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Thomas Fehlmann
Lowflow
CD | LP

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Track Listing:
1. Goldhaar
2. Prefab
3. Interstellar
4. Lindt
5. Slinky
6. Intertwine
7. Hana
8. Alice Springs
9. Springer
10. Andrea Is Delighted
11. Intersect
12. Feat
13. Fellmaus
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Ostensibly a European release on an American label, Lowflow is much more than the sum of its parts, but a fruitful collaboration based on long-term, mutual respect.

While Allen Avanessian (Plug Research) had always been a huge fan of Thomas Fehlmann's solo records and loved his production on some of the great Detroit techno tunes (Eddie Flashin Folks, Blake Baxter) and numerous work with The Orb, Thomas was eager to place his music in a new context - "a new step for me and an exciting one at that. Whenever I go to America I also cultivate a different way of listening." Over the years, frequent visits and similar tastes in music led to a prolific exchange between the two, introducing each other to the finer aspects of hip-hop and jazz, respectively.

After extensive forays into more physical, club-related tracks with his series of releases (on Kompakt) Lowflow, recorded on and off over the last years, now heralds a return to his slower, more experimental side and provides a surprisingly concise description of the album's overall feel.

Both minimal and expansive, Lowflow allows its tracks to float across and into each other, an infinite, gentle mix to which Fehlmann playfully introduces the soft murmur of chimes, pedal steel guitar or his very own trumpet.

From opener "Goldhaar" and the disjointed fascination of the decidedly unslinky "Slinky" with its hypnotic, focused distortion via the briefest of Alice Coltrane homages on "Interstellar" to the almost rocky determination of "Alice Springs" and the classic, minimalist house of "Andrea is Delighted," Lowflow nevertheless retains a distinctly dubby, German flavor, a seamless pleasure that loves to pause and interrupt itself to create its very own, idiosyncratic flow.

Everything on this record was generated by Thomas himself, except the cover supplied by seminal artist Raymond Pettibon (Black Flag, Minutemen) who was his only contact when he first came to LA 15 years ago, as well as three short, connecting interludes growing out of a collaboration with Detroit artist Dabrye (Ghostly International).
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